Paper Works & Paintings, 1981-2010, self-published on-line, 2010
Edition of 10 print version, see MULTIPLES
Images of the artist's Carbon Removals, Guilty Marks, Boundary, S Paintings, and Full Paintings, among others, are represented.
Images, 1996-2006, self-published on-line, 2009
Edition of 10 print version, see MULTIPLES
Images of the artist's silver gelatin prints, archival inkjet prints, Duraclear film, photograv-ures and daguerreotypes are represented and discussed in a text by David Frankel, Ed-itor in Chief, Museum of Modern Art, New York.
ZERO SPACE, ZERO TIME, INFINITE HEAT ANGLES 12 ROTATIONS QUICK CONSTRUCTIONS
2000 -2010, self-published on-line, 2010
Print version: Edition of 10, see MULTIPLES
Images of plaster murals, works on paper and Angle [shaped] paintings scored to rotate, and Quick Construction works on paper and paintings made with chance compositions, discussed in texts by Edward J Sozanski, Edith Newhall and Roberta Fallon.
Radio Rocks, 1998-2008, self-published on-line, 2008 (With sound for MAC)
Radio Rocks, 1998-2008, self-published, 2008 (For WINDOWS) Print version: Edition of 10, see MULTIPLES
Radios using pyrite, galena, hematite and flurite mixers to access local and short-wave signals, accompanied by microwave recievers picking up sounds identified as echoes of the Big Bang, along with a computer hookup to live radio emissions from Jupiter trans-mitted on a dedicated line from a radio telescope at Pisgah Astronomical Research In-stitute (PARI) in Rosman, North Carolina are each mounted on various stone cairns which act as atennas.
Salt, 1996-2006, self-published on-line, 2009
Print version: Edition of 10, see MULTIPLES
Negative Ions I and II, and Salt, Half Heard, in salt boulder and granular form subjected to a slow, steady drip of water, accompanied by a salt work titled, Six Continents, consisting of salt taken from each continent, are represented in a variety of installations, including one in a Rome where the dripping action took place through a square cut between two floors. The text is by the artist, accompanied by reviews and comments by John Cage, Thomas McEvilley, Peter Frank, and Christopher Knight.
Copper & Stone, 1993 -Present, self-published on-line, 2010
Print version: Edition of 10, see MULTIPLES
The indoor and outdoor weather sculptures in copper and stone, Notations, Indeter-minacy, and Material/Immaterial, are discussed in an artist's text, accompanied by quotes from John Cage, Thomas McEvilley, Collette Chattopadhyay, Regina Coppola, Peter Hornung, Mette Sandbye, Janet Kaploz, Luxury Magazine Paris, Jan Gardner Castro.
Contingency, 1984-Present, self-published on-line, 2009
Print version: Edition of 10, see MULTIPLES
Environmentally reactive silver paintings and works on paper activated by the chemical, liver of sulfur, accompanied by a film of the liver of sulfur dissolving in water discussed in the artist's text with comments by John Cage, Thomas McEvilley, Reagan Upshaw, Barry Schwabsky, Duncan McLean, Ken Johnson, Elizabeth Flower, Regina Coppela, Charles Stuckey; 80 pages of 7x 5 inch archival inkjet prints of housed in a 71/2 x 5 1/2 inch box, wrapped in an inner sleeve.
Performance, 1976 - Present, self-published on-line, 2008
Print version: Edition of 10, see MULTIPLES The Metropolitan Museum of Art, New York and The Whitney Museum of American Art, New York
The story of the Metropolitan Museum Fire Hose from its initial guerrilla claim in 1976 to its acceptance into the museum's collection in 2007, accompanied by artist's, Fire Commando of the 85th Street Fire Station, historian's and art critic's responses.
Plain Air, 1969-2009, self-published on-line, 2009
Print version: Edition of 10, see MULTIPLES
Four installations of live birds and a proposal for a permanent installation accompanied by the artist's text and comments by John Cage, Thomas McEvilley and Ellen Handy.
Multiples & Objects, 1969-2009, self-published on-line, 2009
Print version: Edition of 10, see MULTIPLES
The Raccoons of Central Park, 2007, self-published on-line version
Text and illustrations for children by the artist
Print version: Edition of 10, see MULTIPLES
The story of those raccoons living in the Wisteria Arbor in the Italian Garden in Central Park in New York City at 106th Street told literally, sort of...
Contingency Book II
1995
Activated March 1995; photographed May 1998
Silver, liver of sulfur, varnish, beeswax on linen paper
Seven sheets bound with steel clips housed in steel box
stamped with the artist’s name, box and table designed by the artist
Paper: 26 ¼ x 42 ¼ inches; Collection of the artist
See Main Menu: Contingency Book
Indeterminacy / Riverstone
1991, Dedicated to John Cage, Five unique books, self-published
Riverstone, Equinox, Equivalents, Contingency, Removal Encased in a silver over copper box: 22 1/4 x 27 3/4 x 3/4 inches
Indeterminacy / Equinox
1992, Dedicated to John Cage, Five unique books, self-published
Riverstone, Equinox, Equivalents, Contingency, Removal Encased in a silver over copper box: 22 1/4 x 27 3/4 x 3/4 inches
Indeterminacy / Equivalents I
1992, Dedicated to John Cage, Five unique books, self-published
Riverstone, Equinox, Equivalents, Contingency, Removal Encased in a silver over copper box: 22 1/4 x 27 3/4 x 3/4 inches
Indeterminacy / Equivalents II
1992, Dedicated to John Cage, Five unique books, self-published
Riverstone, Equinox, Equivalents, Contingency, Removal Encased in a silver over copper box: 22 1/4 x 27 3/4 x 3/4 inches Collection of Karl Peterson, New York
Indeterminacy / Equivalents II
Indeterminacy / Contingency Book I
1993, Dedicated to John Cage, Five unique books, self-published
Riverstone, Equinox, Equivalents, Contingency, Removal Encased in a silver over copper box: 22 1/4 x 27 3/4 x 3/4 inches
Indeterminacy / Removal
1993, Dedicated to John Cage, Five unique books, self-published
Riverstone, Equinox, Equivalents, Contingency, Removal Encased in a silver over copper box: 22 1/4 x 27 3/4 x 3/4 inches