Dove Bradshaw Resume

MULTIPLES & OBJECTS

		MERCE CUNNINGHAM DANCE COMPANY: DECOR AND LIGHTING-DOVE BRADSHAW 1984-1990 2010, A Limited Edition, Edition of 10, self-published 64 pages of 7x 5 inch archival inkjet prints of performance photographs of Merce Cunningham Dance Company works that Dove Bradshaw had done sets, costumes and lighting: Phrases, Arcade, Points In Space, Fabrications, Cargo X, Trackers, accompanied by excerpted texts by David Vaughan,Merce Cunningham 50 Years, Aperture, New York, 2000 and descriptions by Bradshaw of her collaboration with Merce Cunningham and her approach to each work; housed in a 71/2 x 5 1/2 inch box, wrapped in an inner sleeve.
		PAPER & PAINTINGS 1981-2010 2010, On-line edition, self-published 58 pages of 9 x 8 inches including images of Carbon Removals, Guilty Marks, Boundary, S Paintings, and Full Paintings, among others, are represented.
		IMAGES 1969-2010 2010, A Limited Edition, Edition of 10, self-published 34 pages of 7x 5 inch archival inkjet prints of silver gelatin prints, archival inkjet prints, daguerreotypes, Duraclear film, and photograv-ures are represented and discussed in a text by David Frankel, Editor in Chief, Museum of Modern Art, New York; housed in a 71/2 x 5 1/2 inch box, wrapped in an inner sleeve.
		Open Books: ZERO SPACE, ZERO TIME INFINITE HEAT ANGLES 12 ROTATIONS QUICK CONSTRUCTIONS 2000-2010 2010, A Limited Edition, Edition of 10, self-published (click on box to see contents) Images of plaster murals, works on paper and Angle [shaped] paintings scored to rotate, and Quick Construction works on paper and paintings made with chance compositions, discussed in texts by Edward J Sozanski, Edith Newhall and Roberta Fallon; 47 pages of 7 x 5 inch archival inkjet prints. The portfolio is housed in a 71/2 x 5 1/2 inch box, wrapped in an inner sleeve.
		SALT 1996-2006 2009, A Limited Edition, Edition of 10, self-published Negative Ions I and II, and Salt, Half Heard, in salt boulder and granular form designed to interact with a slow drip of water, accom-panied by a salt work titled, Six Continents, consisting of salt taken from each continent, are included in a variety of installations, in-cluding one in a Rome where the dripping action took place through a square cut between two floors. The text is by the artist, ac-companied by reviews and comments by John Cage, Thomas McEvilley, Peter Frank, and Christopher Knight.43 pages of 7x 5 inch archival inkjet prints of salt sculptures and installation shots; housed in a 71/2 x 5 1/2 inch box, wrapped in an inner sleeve.
		RADIO ROCKS 1998-2008 2008, A Limited Edition, Edition of 10, self-published on the occasion of Radio Rocks Exhibition at Larry Becker Contemporary Art, Philadelphia, PA Radios using pyrite, galena, hematite and flurite mixers to access local and short-wave signals, accompanied by microwave recievers picking up sounds identified as echoes of the Big Bang, along with a computer hookup to live radio emissions from Jupiter trans-mitted on a dedicated line from a radio telescope at Pisgah Astronomical Research Institute (PARI) in Rosman, North Carolina are each mounted on various stone cairns which act as atennas; 30 pages of 7 x 5 inch archival inkjet prints of plans and installation shots accompanied with a CD of the portfolio, each page has sounds of radio emissions from Jupiter, Mars, Saturn and Earth. The portfolio is housed in a 71/2 x 5 1/2 inch box, wrapped in an inner sleeve.
		COPPER & STONE 1993-2010 2010, A Limited Edition, Edition of 10, self-published The indoor and outdoor weather sculptures, Passion, Notation, Indeterminacy, and Material/Immaterial, in copper and stone are dis-cussed in an artist's text, accompanied by quotes from John Cage, Thomas McEvilley, Collette Chattopadhyay, Regina Coppola, Peter Hornung, Mette Sandbye, Janet Kaploz, Luxury Magazine Paris, Jan Gardner Castro.69 pages of 7x 5 inch archival inkjet prints of copper and stone sculptures; housed in a 71/2 x 5 1/2 inch box, wrapped in an inner sleeve.
		CONTINGENCY 1984-2010 2010, A Limited Edition,, Edition of 10, self-published Environmentally reactive silver paintings and works on paper activated by the chemical, liver of sulfur, accompanied by a film of the liver of sulfur dissolving in water discussed in the artist's text with comments by John Cage, Thomas McEvilley, Reagan Upshaw, Barry Schwabsky, Duncan McLean, Ken Johnson, Elizabeth Flower, Regina Coppela, Charles Stuckey; 80 pages of 7x 5 inch archival inkjet prints of housed in a 71/2 x 5 1/2 inch box, wrapped in an inner sleeve.
		PLAIN AIR 1969-2009 2009, A Limited Edition, Edition of 10, self-published Four installations of live birds and a proposal for a permanent installation accompanied by the artist's text and comments by John Cage, Thomas McEvilley and Ellen Hand;. 37 pages of 7x 5 inch archival inkjet prints housed in a 71/2 x 5 1/2 inch box, wrapped in an inner sleeve.
		MULTIPLES & OBJECTS 1969-2010 2010, A Limited Edition, Edition of 10, self-published Multiples, objects, and editions; 48 pages of 7x 5 inch archival inkjet prints housed in a 71/2 x 5 1/2 inch box, wrapped in an inner sleeve.
		Indeterminacy 1990/2010, Edition Fawbush, New York: edition of 10 Soapstone, incised with the word "Indeterminacy," broken by chance, 1 3/8 x 36 x 6/8 inches
		Medium 2009, self-published Silk chiffon, printed dress designed on the occasion of Merce Cunningham's Almost 90 Birthday Celebration at the Brooklyn Aca-demy of Music, 2009, dedicated to Merce Cunningham and the "pain of dance."
		The Raccoons of Central Park 2007, Edition of 10, self-published, 11 x 8 1/2 inches, archival inkjet prints, twenty four pages, signed by the artist Text and illustrations for children by the artist
		Performance 2008, Edition of 10, self-published, 7 x 5 inches, bound with steel clips, seventy six pages of archival inkjet prints, some sub-jected to fire and water, with images and texts from invited and participating artists, art historianMetropolitan Curators and the Battalion Commander of the 85th Street Fire Department which maintains the Metropolitan Museum's precinct. Collections: The Metropolitan Museum of Art, New York; The Whitney Museum of American Art, New York; Robert Gordon, New York; Gina and Dexter Williams, Los Angeles
		Variable 2006, Editions Fawbush, New York: one of two Copper
		Six Continents 2005, self-published Invitation for Larry Becker Contemporary Art exhibition Six Continents, 2005
		They Were and Went 2004, Edition of 4, self-published Duraclear, steel frame designed by the artist
		Plain Air 2004, Edition of 4, self-published Duraclear, steel frame designed by the artist
		O Dress 2004, Ink on Voile Evelina Domnitch, model
		O Dress 2004, ink on voile Evelina Domnitch, model
		BRADSHAW 2003 Limited Edition Box, 40, published by Mark Batty Publisher, LLC, West New York, NJ, Includes: Nature Change and Indeter-minacy, by Thomas McEvilley, Featuring a conversation with John Cage on Dove Bradshaw’s life and work. Includes one original: Contingency, 1984-2002, silver, liver of sulfur, 3 ¾ inches x 3 ¾ inches and five editions: Drawing On Chance, Spent Bullet mounted on copper, 2003, 12 x 9 inches; Oxygen, 2002, digital print, 6 x 4 inches; Indeterminacy, 1993, mercury in bottle, 2 ½ x 3/4 inches diameter; Performance, Metropolitan Museum Postcard, 1976-1992, offset print, 6 x 4 inches, Plain Air, 1969-1991, silver gelatin print, 3 x 2 inches. Housed in a linen covered clamshell box: 14 x 11 ¾ x 6/8 inches. All works are signed and numbered. The monograph is published in an Edition of 1500 and is signed by artist. Only 40 of the monographs are signed by the artist and the author. Number 2 of the Edition: Collection of the Whitney Museum of American Art, New York; Number 10 of the Edition: collection of the Metropolitan Museum, New York, Number 8 of the Edition, The Art Instutute of Chicago, Number 23 of the Edition, The San Francisco Museum of Modern Art, Number 21, The Birmingham Museum of Art. Private Collections: Werner H. Kramarsky, Angela Gilchrist, Mr. and Mrs. Leonard Feinstein, Sam Jedig, Mr. and Mrs. Joel Mallin, Ms. Beatrix Ost and Mr. Ludwig Kuttner, Dr. and DDS. Barry Goldenberg, Ursula Hodel, Estate of Mr. Shu Uemura.
		Works for Poetry in Place 2001, Edition of 13, 4 APS, published by Poetry in Place, Harry, Orkney, Scotland 10 digital prints, 9 x 12 inches
		Self Interest 2001, Editions Fawbush, New York: edition of 10 Cobalt, etched glass, silver, glass stopper: cobalt in the amount that occurs proportionate to a 100 pound human body housed in a glass vial etched with the word "cobalt"
		Self Interest 2001, Editions Fawbush, New York: edition of 10 Silicon, etched glass, silver, glass stopper: silicon in the amount that occurs proportionate to a 100 pound human body housed in a glass vial etched with the word "silicon"
		Plain Air 2000, Edition of 10, self-published, thirty-seven pages, 7 x 5 inch archival inkjet prints, 71/2 x 5 1/2 inch box, wrapped in an inner sleeve
		Water of Life 2000, Edition of 24, self-published Bottled urine, 9 ½ x 2 ¼ inches diameter
		Oxygen 1999, Printed cotton T shirt
		Oxygen 1999, Printed cotton T shirt
		FINISH [film sculpture] 1996, Edition of 13, self-published Each .5 second 16mm film strip housed in a plastic box: 3 ½ x 3/4 x ½ inch accompanied with a .689 diameter double convex magnifying glass
		Indeterminacy [film sculpture] 1996, Edition of 13, self-published Each .5 second 16mm film strip housed in a plastic box: 3 ½ x 3/4 x ½ inch accompanied with a .689 diameter double convex magnifying glass
		Zn + S + Ch3OOH 1995, Edition of 10, self-published Granulated sulfur, granulated zinc, acetic acid, on honed slate slab 14 x 14 x 3/4 inches; on rolled steel table, 14 x 14 x 30 inches, threaded glass vial, 5 x 1/2 inch diameter, etched with title
		Zn + S + H2O 1993, Edition of 60, published by Vital Matrix, Los Angeles Granulated sulfur, granulated zinc, water, in threaded glass vial, 3 x .3 x 3/8 inches
		Indeterminacy 1993, Edition of 75, self-published Glass, mercury, sealing wax, 2 1/2 x 3/4 inch diameter
		Ag/K2SX + K2S2O3 1993, Edition of 10, self-published Silver, liver of sulfur, glass bottle, 6 x 3 inches diameter
		Performance / Metropolitan Museum 1992, Unlimited Edition, published by the Metropolitan Museum of Art Postcard from the collection
		Survival 1991, Edition of 6, self-published Wax, acupuncture needles, pigment, 3 ½ x3 ½ x 4 inches placed on an oval clear glass shelf 7 ½ x 5 ½ x ¼ inches clamped to a cylindrical aluminum wall mount
		Plain Air 1991, Boxed Edition of 5, Self-published, documenting Plain Air at PS1 Contemporary Art Center, Long Island City, New York, 1991 Consists of 9 silver gelatin prints on Ilford fiber base gallery paper mated with museum board, housed in a linen covered clamshell box: 16 1/4 x 14 x 2 inches Number 3 of the Edition, The Art Institute of Chicago, Chicago, IL
		nothing 1988, Edition of 25, self-published Boxed electrostatic prints and text, 11 ½ x 8 x 1 inch Collections: Museum of Modern Art, Metropolitan Museum of Art, The Whitney Museum of American Art, The Getty Museum, Kunstmuseum Dusseldorf, The Art Institute of Chicago, Centre Pompidou, Paris, Moderna Museet, Stockholm, State Russian Museum, St. Petersberg, Russia
		cliché 1980 Rubber stamp, 1 1/8 x 2 ¼ x 2 ¼ inches
		A)muse 1980, Glasses, silver gelatin prints, 1¾ x 5 x ½ inch, Getty Center, Santa Monica, California
		( BLIND CHANCE 1980 Hidden object sealed in painted and stenciled tin can
		Sculpture 1980, acrylic paint, circa 2 inches longest length
		Spent Bullet 1979, self-published .38 caliber 18 karat gold bullet cast from a lead bullet shot at the New York City Police 101st Street Precinct
		Spent Bullet 1979, Unlimited edition, self-published .38 caliber lead bullet shot at the New York City Police 101st Street Precinct; Collection of Merce Cunningham, New York
		TUPRSECLU 1979 A set of transparent marbles marked with the title-letters housed in a box; the viewer shakes the box to find anagrams. Plastic balls and box, presstype, 3 x 3 ½ x 1 ½ inches
		Periphery 1979, Photographic record of a walk around the perimeter of Manhattan 92 SX 70 Polaroids laminated into a plastic book, presstype, metal rings, 6 x 6 x 2 inches
		Performance / Bradshaw 1978, Edition of 1000, self-published
		2v0 1971 Edition of 10, published by the Mattress Factory, 1998 Glass, acetone, 2 1/2 x 5 3/4 x 2 1/2 inches
		INFINITY 1969/2003, self-published revisited on the eve of the Iraq War Spent 38. caliber bullet, lead and copper