| Fallon, Roberta and Libby Rosoff, fallonandrosof.blogspot.com, June, 2008, Quick Constructions, Larry Becker Contemporary Art, Philadelphia, PA |
| Strauss, R.B., aroundphilly.com, June 11, 2008, Radio Rocks, Larry Becker Contemporary Art, Philadelphia, PA |
| Strauss, R.B., WEEKLY PRESS, June 4, 2008, Radio Rocks, Larry Becker Contemporary Art, Philadelphia, PA |
| Nurin, Tara, Philadelphia Weekly, A-List, June 5, 2008, Radio Rocks, Larry Becker Contemporary Art, Philadelphia, PA |
| Newhall, Edith, The Philadelphia Inquirer, Weekend, May 30, 2008, "Channeling Sounds from Earth and Far Beyond", Radio Rocks, Larry Becker Contemporary Art, Philadelphia, PA |
| Castro, Jan Garden, Sculpture Magazine, April, 2008, Dove Bradshaw, Bjorn Ressle Fine Art, New York (Contingency, Waterstone, Crack in the Air, Series II, Nothing 2, Quick Construction); review includes The Missing Peace, Artists and the Dalai Lama, Rubin Museum of Art, New York, 2007 |
| Bellel, Zeva, Luxury Culture On-line Magazine, April 19, 2007, Dove Bradshaw, Bjorn Ressle Fine Art, New York (Contingency, Waterstone, Crack in the Air, Series II, Nothing 2, Quick Construction) |
| Bellel, Zeva, Luxury Culture On-line Magazine, April 10, 2007, Shu Uemura , Beyond Beauty, (If I had to name the contemporary artis whose work I admire most these days it would probably be Dove Bradshaw, (Six Continents) |
| Vine, Richard, Art In America, January 2007, Report From Gwangju (Gwangju Biennale), pp 71-72 (photograph and text Six Continents ). |
| Michael J. Fressola, Staten Island Sunday Advance, Arts & Ideas, White Gold, Salt Goes Beyond The Shaker at the Noble Maritime Collection, (photographand review), July 16, 2006, E |
| Knight, Christopher, The Los Angeles Times, Around The Galleries, Fresh, original voices in LA: Six Continents (photograph and review), Los Angeles, October 28, 2005. |
| DeTan, S. A., Coagula Art Journal, DOVE BRADSHAW , 6 VOLCANOES AND THE WHOLE WIDE WORLD IN A DROP OF WATER, (Six Continents, photograph and review) Issue number # 78, February 2006. |
| Frank Peter, LA Weekly, Pick of the Week, (Six Continents, photograph and review), November 11-17, 2005. |
| Zlotnick, Diana, Newsletter On the Arts, Salt of the Earth, NOTA, (Six Continents, photograph and review), October, 2005 |
| Dea, Cynthia, Calendar Weekend, Los Angeles Times, Galleries: Pure Salt of the Earth, (Six Continents, photograph and review), Thursday, October 26, 2005. |
| Sozanski, Edward J., Philadelphia Inquirer, Weekend, Art/ Museums and Galleries Art, Salted Sculptures (Six Continents and Angles at Larry Becker Contemporary Art, review), July 1, 2005, p.W24. |
Yazdani, Mehrdad, The Guardian, University of California at San Diego, Art Inspired by Accident (Anastasi Bradshaw Cage Cunningham, photograph and review), 2005. |
| Latter, Ruth, The Daily Progress, Charlottesville, VA, February 17th, 2005, Concept was innovative, then and now (Anastasi Bradshaw Cage Cunningham at University Art Museum, University of Virginia, review and reproduction), p. D2. |
| Morgan, Anne Barclay, Sculpture Magazine, September 2004, Buddhism and Contemporary Sculpture (Negative Ions II, review) The Manifestation of Awareness, p. 48. |
| Koplos, Janet, Art In America, May 2004, Illustrated article Between Science and Poetry, p. 150-51. |
| Rice Sallyport, Fall 2004, Booknotes, The Art of Dove Bradshaw, Nature Change and Indeterminacy, Thomas McEvilley, Rice University, Houston, Texas, p. 41. |
| Peterson, Debra, The St. Louis Post—Dispatch ('O' Dress for the St Louis Museum Dada Ball, review), March 22, 2004. |
| McElroy, Joseph, Shambahala Sun, A Poetry of Transience, McElroy reflects on the works in “The Invisible Thread: Buddhist Spirit in Contemporary Art” an Exhibition at the Snug Harbor Cultural Center (Negative Ions II), Staten Island”, March 2004, p. 65. |
| Fressola, Michael, The Staten Island Sunday Advance, Noted Poet to Appear at Benefit (Negative Ions II), February 15th, 2004. |
| Kamiaru, Staten Island Source, The Invisible Thread (Negative Ions II), cover story, 2000, pp. 8-14. |
| Fressola, Michael, The Staten Island Sunday Advance, Good Buzz, No Yoko at Art Opening (Negative Ions II), October 5, 2003. |
| Fressola, Michael, Staten Island Advance, The Invisible Thread (Negative Ions II), February 26th, 2003, cover and p. E2, photograph and text. |
| Krall, L.Brandon, New York Arts, Celebrate John Cage (Memorial concert, installation and performance of Infinity at Garry Tatinsian Gallery, NY, article), January, 2003, p. 25. |
| Bradshaw, Dove, New Observations, The Cultural Traveler’s Guide, Vol. 128, Spring/Summer, 2001, Project: Indeterminacy [film] still and artist's text, New York, p.35. |
| Newhall, Edith, New York, Chelsea Exhibitions: Waterstones by Dove Bradshaw, (at Stark Gallelry, review and reproduction), March, 26th, 2001. |
| Hornung, Peter Michael, Politiken, Art Without Intentions (Anastasi Bradshaw Cage at Word Sound Image Museum, Roskilde, Denmark, review and reproduction), January 13, 2001. |
| Sandbye, Mette, Berlingske Weekendavisen, The Music of Chance (Anastasi Bradshaw Cage, review), January 12-18, 2001. |
| Sozanski, Edward J., The Philadelphia Inquirer, Environmental Expressionism (Waterstones at Larry Becker Contemporary Art, review), April 28, 2000 |
| Winn, Alice, Pittsburgh City Paper, Art Takes Flight on the Wings of Dove Bradshaw (Negative Ions I and 2/0 at Mattress Factory Museum, review and reproduction), June 16-23, 1999. |
| Lieberman, Claire, Sculpture Magazine, Stone: Mystery or Malaise (Indeterminacy [stones] at Sandra Gering, review and reproduction), February, 1999, p.30. |
| Chattopadhyay, Collete, Sculpture Magazine, Dove Bradshaw at LA MOCA (review and reproduction), January-February, 1999, pps. 59-61. |
| McDonough, Tom, Art in America, Dove Bradshaw at Sandra Gering and Linda Kirkland (review and reproduction), November, 1998. |
| Cahill, Timothy, Albany Times Union, Where Art Meets Science: Union College exhibit takes a look at the culture of science (Negative Ions I in Into Focus: Art on Science", review and reproduction), October 4, 1998. |
| Wright, Peg Churchill, Daily Gazette, Exhibition At Union College Brings Science Into Focus (Negative Ions I, review and reproduction), September 10, 1998. |
| Politiken, Forgaengelighed, Guilty Marks at Stalke Gallery (review and reproduction), Copenhagen, June 18, 1998. |
| Frank, Peter, LA Weekly, Art Picks of the Week: Dove Bradshaw / Jan Henley (Contingency and Indeterminacy at Dove Bradshaw / Jan Henle, LAMOCA, review), Eileen Cowen, October 16-22, 1998. |
| Swed, Mark, The Contemporary (Museum of Contemporary Art, Los Angeles, Publication), (Dove Bradshaw / Jan Henle, LAMOCA, text and reproduction), Summer, 1998. |
| Wilson, William, Los Angeles Times, Probing the Nature of Contemporary Art (Dove Bradshaw / Jan Henle, LAMOCA, review), August 24, 1998, p. f 29. |
| New York Contemporary Art Report, Dove Bradshaw (Irrational Numbers at Sandra Gering and Linda Kirkland, reproductions and text), Vol. I, Issue II, June 1998. |
| Johnson, Ken, The New York Times, Art Guide: Dove Bradshaw (Irrational Numbers at Sandra Gering and Linda Kirkland, reviews), June 19, 1998. |
| Cohen, Mark Daniel, Review, Acts of Will? Dove Bradshaw’s Irrational Numbers at Sandra Gering (review), June 15, 1998. |
| Brody, Jacquiline, Art on Paper, Dove Bradshaw: 2v0 (Introducing New Multiples, review and reproduction), September-October, 1998. |
| Kramer, Hilton, New York Observer, Three (sic) Independent Collectors Undercut Whitney Idiocy, (Charles Carpenter Collection, review), January 27, 1997. |
| Brody, Jacqueline, On Paper, Vol. 1, No.4, Dove Bradshaw, Zn + S + CH3OOH (Introducing New Multiples, review and reproduction), March-April, 1997. |
| Nigrosh, Leon, The Worcester Phoenix, “Art in Good Time: From Time to Time" (Contingency Paintings and Book, review and reproduction ), October 3, 1997. |
| Tracy, Chris, The Crusader, From Time to Time (Contingency and Zn + S + CH3OOH, review and reproduction ), The College of Holy Cross, September 27, 1997. |
| Morgan, Anne Barclay, ARTnews, Dove Bradshaw at Sandra Gering, (Indeterminacy, review and reproduction), February, 1996, p.136. |
| McEvilley, Thomas, Art Forum, “Rolywholyover, A (sic) Circus”, The Menil Collection (Contingency, review), April, 1995. |
| Newhall, Edith, New York, Indeterminacy (Indeterminacy [stones] at Sandra Gering, review and reproduction), November 6, 1995. |
| McLean, Duncan, Scottish Press, Change and Decay (Indeterminacy, Contingency and other works at Pier Arts Center, review), September 17th, 1995. |
| Myers, George Jr., The Columbus Dispatch, Will Mighty Met Ever Put Out This Fire? (Performance [Fire Hose], article and reproduction), March 5, 1995. |
| Stapen, Nancy, The Boston Globe, 90’s Drawing: Beyond Pushing Pencils (Crack In The Air at Katonah Museum of Art, review of ), December 27, 1993. |
| Upshaw, Reagan, Art in America, Dove Bradshaw at Sandra Gering (Contingency, review and reproduction), November, 1993, p.122. |
| Knight, Christopher, Los Angeles Times, Cage’s Circus, A Three-Ring Sensual Blast (Rolywholyover Circus at LAMOCA, review of Contingency and Boundary), 1993. |
| Pinchbeck, Daniel, Art and Antiques, Openings (Contingency at Sandra Gering, review and reproduction), March, 1993. |
| McEvilley, Thomas, ArtForum, In the Form of a Thistle (John Cage In Memoriam), October, 1992. |
| Raynor, Vivian, The New York Times, Memorable Images In An Anthology of Drawings (Crack In The Air [thorn] at Katonah Museum, review), July 5, 1992. |
| Russell, John, The New York Times, The Secret Life of Art is Led in Drawings (Full and Crack In The Air [thorn], review), June 28, 1992. |
| Brody, Jacqueline, Print Collectors Newsletter, Vol. XXIII, No. 4, Dove Bradshaw: Medium (introducing new prints, review and reproduction), September-October, 1992. |
| The Downtown Resident, Vol.1, Number 3 (plain air at Sandra Gering, cover photograph), May 11, 1992. |
| Artscribe, New York Diary: Almost Twenty-Five Different Things (plain air at PS 1, review), September, 1991. |
| Quaroni, Grazia, Marie Claire, Le Donne dell’Arte (Gallerists and Their Artists article and reproduction, Gering/Bradshaw), October, 1991, p. 123. |
| Morgan, Robert C., Arts Magazine, New York Diary (plain air at PS 1 review), October, 1991, p. 81. |
| McEvilley, Thomas, Artforum, Plain Air (Plain Air at Sandra Gering, review and reproduction), April, 1990, p. 175. |
| Rose, Matthew, Art and Antiques, Birdland, (Plain Air at Sandra Gering, review), January, 1990. |
| Observer-Dispatch, Bradshaw Works Show Two Years off Experiments (Children’s Drawings at Utica College, Syracuse University, review and reproduction), Monday, September, 5, 1988. |
| Utica College Tangerine, Gallery Graced by Bradshaw Oils (Children’s Drawings, review and reproduction), Friday, September 16, 1988. |
| Durner, Leah, Stalke, Dove Bradshaw (Children’s Drawings at Stalke Gallery, Copenhagen, review of ), 1988. |
| Schwartz, Eugene, Bottom Line, Guerrilla Tactics for Collectors in Today’s Emerging Art Market (recommendations), pp. 9-10, October, 1983. |
| Frank, Peter, ARTnews, Carbon Removals (at Ericson Gallery, NY, review), February, 1981, p.174. |
| Stern, Ellen, New York Magazine, Best Bets: Shooting Spray, (Spent Bullets at Aaron Faber, NY, review and reproduction), June 2, 1979, p. 53. |
| Bradshaw, Dove, New York Magazine, Sister, Can you Spare a Smile? (30 % Better New York subway performance, article and reproductions), February 18, 1979, p. l7. |
| Battcock, Gregory, Arts/Entertainment, De Kooning Bombs at the Goo Goo: Rhoades, Anastasi and Bradshaw discuss Couture (photograph and commentary), February, 1979. |
| Little, Stuart, New York Magazine, A Piece of the Met (Performance, review and reproduction), p. 11, February 5, 1979. |
| Black, Star, NXPL1982351, First of Six (Break to Activate at PS 1, photograph and review), October, 10, 1979. |
| Nelson, Judith, New Yorker, Goings on About Town: Dove Bradshaw (Chairs at Razor Gallery, NY, review), 1977. |
| Ellensweig, Allen, Craft Horizons, New Talent (Chairs at Razor Gallery, review and reproduction), June, 1977. |
| The Soho News, Art Openings (Chairs at Razor Gallery, NY, review and reproduction of , April 7, 1977, p. 32. |
| Grover, Donald, Craft Horizons, Exhibitions, Dove Bradshaw, ( review of Chairs at Alan Stone, NY) June, 1975, p. 20. |
| New Yorker, Goings on About Town: Dove Bradshaw (Reliquaries at Razor Gallery, review), 1975. |
| Gruen, John, The Soho Weekly News, Five to See in Soho (Reliquaries at Razor Gallery, review and reproduction), January 30, 1975, p. 10. |