| The New York Times, Dec, 29, 2011, Loos, Ted, Cunningham Fostered Serendipity In Set Design, The Arts, p. C1 | |
| The Daily Pennsylvania, Oct. 27, 2011, 10:46 pm, Azziz, Ali Rahim,Guest Column, The Chemical Heritage Foundation is a Museum that Makes Science Thoughtful, provocative and Fun, permanent link: Guest Columns, Opinion: http://thedp.com/r/ead3a986 | |
| The Temple News, Oct 11, 2011, Janci, Jenelle, Artists Envision Chemistry in CHF Exhibit, In celebration of the International Year of Chemistry, Body Chemistry Provides Artistic Inspiration, pp. 8-9 | |
| Title Magazine, Nov. 4, 2011, Kettner, Em, Elemental Matters: Artists Imagine Chemistry, two pages | |
| Christies Spring Auction Sale Catalogue, 2011, Jones, Stephen, Property From The Cunningham Foundation Sold to Benefit Their Legacy Plan, p. 120 | |
| The Art Newspaper, 2011, Hayden-Guest, Anthony [Flotsom] , A hose by any other name, 20 January, Features p. 48 | |
| The Philadelphia Inquirer, Feb. 18, 2011, Donohoe, Victori, Show features all 118 elements. Artists celebrate chemistry's gifts, Read more: http://www.philly.com/philly/entertainment/20110218_Show_features_all_118_elements_. | |
| Politiken, 9. June 2009, Kritik, Det Mender de Andre om Kunst, Den Lille Forskels Kunst, ONE Copenhagen, Stalke Up North, Copenhagen, 2009, (artist curator and Negative Ions II, Carbon Removals, review), picture: Kretchmer wax Window | |
| Politiken, 3. July 2009, Sangild, Torben, Stalke Up North exhibits art of subtle differences, ONE Copenhagen, Stalke Up North, Copenhagen, 2009, (artist curator and Negative Ions II, Carbon Removals, review) | |
| The Art Newspaper, 06 2009, Hansen, Andreas, Full Blown Minimalism, ONE Copenhagen, Stalke Up North, Copenhagen, 2009, (artist curator and Negative Ions II, Carbon Removals, review) | |
| ARTForum, Draxler, Saskia, Review COLOGNE: ONE More Thomas Rehbein Gallery, Cologne, 2009, (artist curator and Negative Ions II, Carbon Removals, review) | |
| Stadt Revue, Das Kölnmagazin, Hess, Barbara, Once more Concept Art and Minimal Art in the Rhineland: The exhibition "One More" at the Thomas Rehbein Gallery, Cologne, February 2009, review of ONE More Cologne, Thomas Rehbein Gallery, Cologne; (Eine Gut Idee (In German), (artist curator and Negative Ions II, Carbon Removals, review) | |
| Kultur, Imdahl, Von Georg, When the Bees Fan Out, January 23, 2009, long version on-line, ONE More at Thomas Rehbein, ARTNET; Wenn die Bienen ausschwärme (In German), (artist curator and Negative Ions II, Carbon Removals, review) | |
| ARTNET, Imdahl, Von Georg, When the Bees Fan Out, short version, ONE More, Thomas Rehbein, ARTNET 23. January 2009; Wenn die Bienen ausschwärme (In German), (artist curator and Negative Ions II, Carbon Removals, review) | |
| M Magazine, January, Simpson, Joel, "Björn Ressle Winter Salon," BjÖrn Ressle Gallery, New York, 2009, (review of group exhibition Bradshaw last page) | |
| Blog: Fallon, Roberta and Libby Rosoff, fallonandrosof.blogspot.com, June, 2008, (Quick Constructions, Larry Becker Contemporary Art, Philadelphia, PA, 2008, review) | |
| aroundphilly.com, June 11, 2008, Strauss, R.B. (Radio Rocks, Larry Becker Contemporary Art, Philadelphia, PA, 2008, review) | |
| WEEKLY PRESS, June 4, 2008, Strauss, R.B. (Radio Rocks, Larry Becker Contemporary Art, Philadelphia, PA, 2008, review) | |
| Philadelphia Weekly, A-List, June 5, 2008, Nurin, Tara, (Radio Rocks, Larry Becker Contemporary Art, Philadelphia, PA, 2008, review) | |
| The Philadelphia Inquirer, Weekend, May 30, 2008, Newhall, Edith,"Channeling Sounds from Earth and Far Beyond," (Radio Rocks, Larry Becker Contemporary Art, Philadelphia, PA, 2008 Radio Rocks and Quick Constructions, review) | |
| Sculpture Magazine, April, 2008, Castro, Jan Garden, Dove Bradshaw, Bjorn Ressle Fine Art, New York (Contingency, Waterstone, Crack in the Air, Series II, Nothing 2, Quick Construction); review includes The Missing Peace, Artists and the Dalai Lama, Rubin Museum of Art, New York, 2007 | |
| The Village Voice, 2007, Schuster, Robert, salt, half heard, The Missing Peace, Rubin Museum of Art, New York | |
| Luxury Culture On-line Magazine, April 19, 2007, Bellel, Zeva, Dove Bradshaw: Contingency, Bjorn Ressle Fine Art, New York, (Contingency, Waterstone, Crack in the Air, Series II, Nothing 2, Quick Construction, reproduction and review) | |
| Luxury Culture On-line Magazine, April 10, 2007, Bellel, Zeva, Shu Uemura , Beyond Beauty ("If I had to name the contemporary artis whose work I admire most these days it would probably be Dove Bradshaw," Shu Uemura, [Six Continents], reproduction and article) | |
| Art In America, January 2007, Vine, Richard, Report From Gwangju, Gwangju Biennale, pp. 71-72 2007 (Six Continents, reproduction and review) | |
| Staten Island Sunday Advance, Arts & Ideas, Michael J. Fressola, White Gold, Salt Goes Beyond The Shaker at the Noble Maritime Collection, July 16, 2006, E (Eurasia, reproduction and review) | |
| The Los Angeles Times, Knight, Christopher, Around The Galleries, Fresh, original voices in LA: Six Continents, Los Angeles, October 28, 2005 (reproduction and review) | |
| Coagula Art Journal, DeTan, S. A., DOVE BRADSHAW , 6 VOLCANOES AND THE WHOLE WIDE WORLD IN A DROP OF WATER, Issue number # 78, February 2006 (Six Continents, reproduction and review) | |
| LA Weekly, Pick of the Week, Frank, Peter,November 11-17, 2005 (Six Continents, photograph and review) | |
| Newsletter On the Arts, Zlotnick, Diana, Salt of the Earth, NOTA, October, 2005 (Six Continents, photograph and review) | |
| Calendar Weekend, Los Angeles Times, Galleries, October 26, 2005, Dea, Cynthia, Pure Salt of the Earth, Thursday, (Six Continents, photograph and review) | |
| Philadelphia Inquirer, Weekend, Art/ Museums and Galleries Art, July 1, 2005, Sozanski, Edward J., Salted Sculptures, p.W24 (Six Continents and Angles at Larry Becker Contemporary Art, review) | |
The Guardian, University of California at San Diego, 2005, Yazdani, Mehrdad, Art Inspired by Accident,(Anastasi Bradshaw Cage Cunningham, photograph and review) |
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| The Daily Progress, Charlottesville, VA, February 17th, 2005, Latter, Ruth, Concept was innovative, then and now , p. D2 (Anastasi Bradshaw Cage Cunningham at University Art Museum, University of Virginia, reproduction and review) | |
| Sculpture Magazine, September 2004, Morgan, Anne Barclay, Buddhism and Contemporary Sculpture The Manifestation of Awareness, p. 48 (Negative Ions II, review) |
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| Art In America, May 2004, Koplos, Janet, Between Science and Poetry, pp. 150-51 (reproduction and article) | |
| Rice Sallyport, Fall 2004, Booknotes, Rice University, Houston, Texas, p. 41, 2004 (The Art of Dove Bradshaw, Nature Change and Indeterminacy, Thomas McEvilley, Rice University, Houston, Texas) | |
| The St. Louis Post—Dispatch, March 22, 2004, Peterson, Debra ('O' Dress for the St Louis Museum Dada Ball, review) | |
| Shambahala Sun, March 2004, McElroy, Joseph, A Poetry of Transience, McElroy reflects on the works in “The Invisible Thread: Buddhist Spirit in Contemporary Art” an Exhibition at the Snug Harbor Cultural Center Staten Island,” p. 65 (Negative Ions II, review) | |
| The Staten Island Sunday Advance, February 15th, 2004, Fressola, Michael, Noted Poet to Appear at Benefit (Negative Ions II, Invisible Thread, SI, NY, review) | |
| Staten Island Source, 2004, Kamiaru, cover story and pp. 8-14 (Negative Ions II at The Invisible Thread, review) | |
| The Staten Island Sunday Advance, October 5, 2003, Fressola, Michael, Good Buzz, No Yoko at Art Opening (Negative Ions II at The Invisible Thread, review) | |
| Staten Island Advance, February 26th, 2003, Fressola, Michael, cover and p. E 2(Negative Ions II at The Invisible Thread, photograph and text) | |
| New York Arts, January, 2003, Krall, L.Brandon, Celebrate John Cage, p. 25 (Memorial concert, installation and performance of Infinity at Garry Tatinsian Gallery, NY, article) | |
| Expresso, July 19th, 2003, Ruivo, Ana, DOVE BRADSHAW ANGLES, Lisbon (Angles at Diferenca, Lisbon, review) | |
| New Observations, Spring/Summer, 2001, The Cultural Traveler’s Guide, New York, Vol. 128, Bradshaw, Dove, p.35, (Project:Indeterminacy [film] still and artist's text) | |
| New York, Chelsea Exhibitions, March, 26th, 2001, Newhall, Edith, Waterstones by Dove Bradshaw (Waterstones at Stark Gallery, NY, reproduction and review) | |
| Politiken, January 13, 2001 , Hornung, Peter Michael, Art Without Intentions (Anastasi Bradshaw Cage at Museum of Contemporary Art Museum, Roskilde, Denmark, reproduction and review) | |
| Berlingske Weekendavisen, January 12-18, 2001, Sandbye, Mette, The Music of Chance, (Anastasi Bradshaw Cage, Museum of Contemporary Art, Roskilde, Denmark, review) | |
| The Philadelphia Inquirer, April 28, 2000, Sozanski, Edward J., Environmental Expressionism (Waterstones at Larry Becker Contemporary Art, Philadelphia, review) | |
| Politiken, June 18, 1999 (Guilty Marks at Stalke Gallery, Copenhagen) | |
| Pittsburgh City Paper, June 16-23, 1999, Winn, Alice, Art Takes Flight on the Wings of Dove Bradshaw (Negative Ions I and 2/0 at Mattress Factory Museum, Pittsburgh, reproduction and review) | |
| Sculpture Magazine, February, 1999, Lieberman, Claire, Stone: Mystery or Malaise, p.30 (Indeterminacy [stones] at Sandra Gering, NY, reproduction and review) | |
| Sculpture Magazine, January-February, 1999, Chattopadhyay, Collete, Dove Bradshaw at LA MOCA, pp. 59-61 (reproduction and review) | |
| Art in America, November, 1998, McDonough, Tom, Dove Bradshaw at Sandra Gering and Linda Kirkland (Negative Ions I and Contingency Pours [Silver Sheets] and Indeterminacy X-XIV, reproduction and review) | |
| Albany Times Union, October 4, 1998, Cahill, Timothy, Where Art Meets Science: Union College exhibit takes a look at the culture of science (Negative Ions I, Into Focus: Art on Science, reproduction and review) | |
| Into Focus, Schenectady, New York, 1998, Klein, Adrienne, Art /Science, Mandeville Gallery, Union College (Negative Ions I reproduction and review) | |
| Daily Gazette, September 10, 1998, Wright, Peg Churchill, Exhibition At Union College Brings Science Into Focus (Negative Ions I, reproduction and review) | |
| Politiken,, Forgaengelighed, Dove Bradshaw, Guilty Marks at Stalke Gallery, Copenhagen, June 18, 1998 (reproduction and review) | |
| LA Weekly, Art Picks of the Week, Frank, Peter, Dove Bradshaw /Jan Henley, Eileen Cowen, October 16-22, 1998 (Contingency and Indeterminacy at Dove Bradshaw / Jan Henle, LAMOCA, review) | |
| The Contemporary, Summer Publication, 1998, Swed, Mark, (Dove Bradshaw / Jan Henle) Museum of Contemporary Art, Los Angeles, reproduction and article) | |
| Los Angeles Times, August 24, 1998, Wilson, William, Probing the Nature of Contemporary Art, , p. f 29 (Dove Bradshaw /Jan Henle, LAMOCA, review) | |
| New York Contemporary Art Report, Vol. I, Issue II, June 1998, Dove Bradshaw (Irrational Numbers at Sandra Gering and Linda Kirkland, reproductions and article) | |
| The New York Times, Art Guide, June 19, 1998, Johnson, Ken, Dove Bradshaw (Irrational Numbers at Sandra Gering and Linda Kirkland, reviews) | |
| Review, June 15, 1998, Cohen, Mark Daniel, Acts of Will? Dove Bradshaw’s Irrational Numbers at Sandra Gering (review) | |
| Art on Paper, September-October, 1998, Brody, Jacquiline, Dove Bradshaw: 2v0 (Introducing New Multiples, reproduction and review) | |
| New York Observer, January 27, 1997, Kramer, Hilton, Three (sic) Independent Collectors Undercut Whitney Idiocy (Charles Carpenter Collection, review) | |
| On Paper, March-April, 1997, Vol. 1, No.4, Brody, Jacqueline, Dove Bradshaw, Zn + S + CH3OOH (Introducing New Multiples, review and reproduction) | |
| The Worcester Phoenix, October 3, 1997, Nigrosh, Leon, Art in Good Time: From Time to Time (Contingency Paintings and Book, review and reproduction) | |
| The Crusader, September 27, 1997, Tracy, Chris, From Time to Time, The College of Holy Cross (Contingency and Zn + S + CH3OOH, reproduction and review) | |
| ARTnews, Morgan, Anne Barclay, Dove Bradshaw at Sandra Gering, February, 1996, p.136 (Indeterminacy, reproduction and review) | |
| Art Forum, McEvilley, Thomas, Rolywholyover, A (sic) Circus, The Menil Collection, April, 1995 (Contingency, review) | |
| New York, Newhall, Edith, Indeterminacy, November 6, 1995 (Indeterminacy [stones] at Sandra Gering, reproduction and review) | |
| Photography Quarterly, Summer, 1995, Handy, Ellen, Time, Memory & the Limits of Photography, The Center for Photography Woodstock, Woodstock, New York, pp. 3, 6-7 (Plain Air, reproductions and article) | |
| Scottish Press, McLean, Duncan, Change and Decay, September 17th, 1995 (Indeterminacy, Contingency and other works at Pier Arts Center, review) | |
| The Columbus Dispatch, Myers, George Jr., Will Mighty Met Ever Put Out This Fire?, March 5, 1995 (Performance [Fire Hose], reproduction and article) | |
| The Boston Globe,Stapen, Nancy, 90’s Drawing: Beyond Pushing Pencils, December 27, 1993 (Crack In The Air at Katonah Museum of Art, review) | |
| Art in America, Upshaw, Reagan, Dove Bradshaw at Sandra Gering, November, 1993, p.122 (Contingency, reproduction and review) | |
| Los Angeles Times, Knight, Christopher, Cage’s Circus, A Three-Ring Sensual Blast, 1993 (Rolywholyover Circus at MOCA, LA, review of Contingency and Boundary) | |
| Art and Antiques, Pinchbeck, Daniel, Openings, March, 1993 (Contingency at Sandra Gering, NY, reproduction and review) | |
| ArtForum, October, 1992, McEvilley, Thomas, In the Form of a Thistle (John Cage In Memoriam, Contingency) | |
| The New York Times, July 5, 1992, Raynor, Vivian, Memorable Images In An Anthology of Drawings (Crack In The Air [thorn] at Katonah Museum, Katonah, NY, review) | |
| The New York Times, Russell, John, The Secret Life of Art is Led in Drawings, June 28, 1992 (Full and Crack In The Air [thorn], review) | |
| Print Collectors Newsletter, Vol. XXIII, No. 4, Brody, Jacqueline, Dove Bradshaw: Medium, September-October, 1992 (introducing new prints, reproduction and review) | |
| The Downtown Resident, Vol.1, Number 3, May 11, 1992 (Plain Air at Sandra Gering, cover reproduction and review) | |
| Artscribe, New York Diary: Almost Twenty-Five Different Things, September, 1992, p. 1 (Plain Air at PS 1, review) | |
| Marie Claire, Quaroni, Grazia, Le Donne dell’ Arte, October, 1991, p. 123 (Gallerists and Their Artists reproduction and article, Gering/Bradshaw) English text | |
| Art in America, Atchler, Bruce, ...imitating nature in her manner of operation...: Anastasi, Bradshaw, Cage, Marioni, Rauschenberg, Toby at Sandra Gering Gallery, 1991, (artist curator and Contingency and Carbon Removals, review) | |
| Arts Magazine, Morgan, Robert C., New York Diary, October, 1991, p. 81 (Plain Air at PS 1, NY, review) | |
| Artforum, April, 1990, McEvilley, Thomas,Plain Air, p. 175 (Plain Air at Sandra Gering, reproduction and review) | |
| Art and Antiques, January, 1990, Rose, Matthew, Bird Land (Plain Air at Sandra Gering, NY, review) | |
| Observer-Dispatch, September, 5, 1988, Bradshaw Works Show Two Years off Experiments, Monday (Children’s Drawings at Utica College, Syracuse University, reproduction and review) | |
| Utica College Tangerine, Friday,September 16, 1988, Gallery Graced by Bradshaw Oils (Children’s Drawings, reproduction and review) | |
| Stalke Gallery, Durner, Leah, Stalke, Dove Bradshaw , 1988 (Children’s Drawings at Stalke Gallery, Copenhagen, review) | |
| Bottom Line,Schwartz, Eugene, Guerrilla Tactics for Collectors in Today’s Emerging Art Market, pp. 9-10, October, 1983 (recommendations: 10 Art Greats To Be) | |
| ARTnews, Frank, Peter, Carbon Removals, February, 1981, p.174 (at Ericson Gallery, NY, review) | |
| New York Magazine, Stern, Ellen, Best Bets: Shooting Spray, June 2, 1979, p. 53 (Spent Bullets at Aaron Faber, NY, reproduction and review) | |
| New York Magazine, February 18, 1979, Bradshaw, Dove, Sister, Can you Spare a Smile?, , p. l7, (50 % Better New York Subway Performance, reproductions and article) | |
| United Press International: NXPL1982351, Black, Star, First of Six , October, 10, 1979 (Break to Activate at PS 1, NY, reproduction and review) | |
| New York Magazine, Little, Stuart, A Piece of the Met, p. 11, February 5, 1979 (Performance, reproduction and review) | |
| Arts/Entertainment, February, 1978, Battcock, Gregory, De Kooning Bombs at the Goo Goo: Rhoades, Anastasi and Bradshaw discuss Couture (artist photograph and commentary) | |
| The New Yorker, Goings on About Town,1977, Nelson, Judith, Dove Bradshaw, p. 12, following week p. 13 (Chairs at Razor Gallery, NY, review) | |
| Craft Horizons, June 1977, New Talent, Ellensweig, Allen, Dove Bradshaw (Chairs at Razor Gallery, NY, reproduction and review) | |
| The Soho News, Art Openings, April 7, 1977, Dove Bradshaw, p. 32 (Chairs at Razor Gallery, NY, reproduction and review) | |
| Craft Horizons, June, 1975, Grover, Donald, Exhibitions, Dove Bradshaw, p. 20 (Chairs at Alan Stone, NY, review) | |
| The New Yorker, 1975, Goings on About Town, Dove Bradshaw , p. 12 (Reliquaries at Razor Gallery, NY, review) | |
| The Soho Weekly News, January 30, 1975, Gruen, John, Five to See in Soho, p. 10 (Reliquaries at Razor Gallery, NY, reproduction and review) |
