| Merce Cunningham Dance Company Artistic Adviser |
Merce Cunningham Dance Company Decor & Lighting Dove Bradshaw Merce Cunningham invited Dove Bradshaw as Co-Artistic Advisor with William Anastasi 1984-1990, Phrases, Arcade, Points In Space, Fabrications, Cargo X, Trackers On-line catalogue, 180 pages |
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Phrases, 1984 World Première, Théâtre Municipal d'Angers, France Music: David Tudor Set: William Anastasi Costumes and Lighting: Dove Bradshaw |
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| Phrases, 1984 | |||
Arcade, 1985 World première, City Center, New York Music: John Cage Design, Costumes, Lighting: Dove Bradshaw |
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| Arcade, 1985 | |||
Points In Space, 1986 World Premiere, City Center, New York Music: John Cage Set: William Anastasi Costumes: Dove Bradshaw |
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| Points In Space, 1986 | |||
| Points In Space, 1986 | |||
Fabrications, 1987 World première,
Northrup Auditorium, Minneapolis
Music: Emanuel Dimas de Melo Pimenta
Set, Costumes and
Lighting: Dove Bradshaw |
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| Fabrications, 1987 | |||
| Fabrications, 1987 | |||
| Fabrications, 1987 | |||
| Fabrications, 1987 | |||
| Fabrications, 1987 | |||
| Fabrications, 1987 | |||
Cargo X, 1989 World première,
University of Texas, Austin, Texas
Music: Takehisa Kosugi; |
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| Cargo X, 1989 | |||
Trackers, 1990 World première,
City Center, New York
Music: Emanuel Dimas de Melo Pimenta |
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Trackers, 1990 First computer derived work using Life Forms computer program for choreography |
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| Trackers, 1990 |
Attracted by her use of indeterminacy, the practice of using chance and natural forces to act upon her work, Cunningham invited Dove Bradshaw, along with William Anastasi, to become joint Artistic Advisors to his dance company in 1984. The resonances between Bradshaw’s work and that of Cunningham’s are clear; both made extensive use of chance procedures as part of their creation. Bradshaw’s Contingency Series abandons traditional artistic practices and uses materials that react differently depending on environmental conditions, just as Cunningham abandons not only musical forms, but narrative and other conventional elements of dance composition—such as cause and effect, and climax and anticlimax.
Stephen Jones
Christies 2011 Spring Catalogue