Negative Ions
 
  Negative Ions I, 1996
Sandra Gering Gallery, New York, 1998
 
  Negative Ions I, 1996
Sandra Gering Gallery, New York, 1998
 
  Negative Ions I, 1996
Sandra Gering Gallery, New York, 1998
 
  Negative Ions I, 1996
Sandra Gering Gallery, New York, 1998
 
 

Negative Ions II, 1996
Stalke Gallery, Copenhagen,
2001

 
 

Negative Ions II, 1996
Stalke Gallery, Copenhagen,
2001

 
 

Negative Ions II, 1996
Stalke Gallery, Copenhagen,
2001

 
  Negative Ions II, 1996                                            Tanya Bonakdar Gallery, New York, 2003
 
  Negative Ions II, 1996
Tanya Bonakdar Gallery, New York, 2003
 
  Negative Ions, 1996
Pierre Menard Gallery, Cambridge, Massachusettes, 2008
 
  salt, half heard, 1996
Rubin Museum of Art, New York, 2007
    Negative Ions II, 1996/2007                                The artist                                                               Senzatitolo, Rome, 2007      
 
  Senzatitolo, Rome, 2007                                 Lucrezia Durini and the artist
 
 

ONE More Cologne, 2009                                 Thomas Rehbein Gallery, Cologne

Dedicated to Sol LeWitt

 
 

ONE More Cologne, 2009                                 Thomas Rehbein Gallery, Cologne

Dedicated to Sol LeWitt

 
 

ONE More Cologne, 2009                                 Thomas Rehbein Gallery, Cologne

Dedicated to Sol LeWitt

 
 
   
The artist has written about these works in SALT,  1996-2006

 

The best of the serious art follows Buddhism's tenet of stripping away the extraneous...And refreshing the conceptualism of the ubiquitous debris pile, Dove Bradshaw...has hung a slowly dripping glass funnel filled with water over a cone of Himalayan salt. An elegant visual balance and a concise metaphor for time, death, man versus nature, or just about anything else, it works as a kind of universal mantra.


Robert Shuster
The Village Voice, New York, 2007

 

[Bradshaw’s] attraction to the truth of indeterminacy is equal to [her] suspicion of the absolute, of anything that attempts to fix meaning or to set a standard. She values the evolving dimension of each present moment and the stillness required to notice it.

Regina Coppola
University of Massachusetts, Amherst, MA, 1999

 

…A romantic Conceptualist who practices natural alchemy.


Ken Johnson
Negative Ions: New York Times, 1998